Kea, Photo (c) Jim Doty, Jr. To see how this photo was made, go
here .
Outgassing with RC Inkjet PapersDigital photos on RC papers can have outgassing problems while they are drying or curing. Glycol in the inks evaporates into the air. This process can take up to 2 weeks. If the print is framed under glass, the glycol will collect on the inside of the glass and appear as a film that is oily to the touch. The solution to this problem is to let prints air dry for two weeks before framing them under glass.
It is important to frame your prints under glass since this extends the life of the print.
You can speed up the curing process by following the suggestions on
this page.
Simon & Garfunkel
There is nothing like being there in person. The music, the coordinated light show, the ambiance, the big video screens, the energy of the crowd, the artists live on stage.
Paul Simon and Art Garfunkel performed tonight in Columbus, Ohio. Melissa and I dug deep in our pockets, scarfed up two tickets for a small fortune, and went. After all, how often do you get to hear these two in person? What a treat! As children of the 60's, Simon and Garfunkel's music is somehow written deep into a lot of our psyches. The music is infectious, fun (or should I say "groovy"?), thoughtful, meditative, poignant, and at times, profound. It was good to be there tonight. Part of it is nostalgia of course, but there is much more to it than that, something deeper. Something about some of their music gets into your soul and resonates. They are poets and troubadors. They spoke to a generation of youth, more than one generation in fact.
Paul and Art met 50 years ago in 1953 when they were both in their 6th grade class play, Alice in Wonderland. They were eleven when they met, began singing together at 13 and had their first recording at 16. They bought cheap tickets to London and sang ballads for donations in Leicester Square. They kept an eye out for the bobbies since you aren't supposed to sing for money on the streets (something that is still true decades later as a good friend of mine found out when she and another college friend played French horns on the streets of London just three years ago.) Art and Paul honed their craft. The rest, as they say, is history.
Decades later, Paul and Art's appeal is still obvious. I looked around at 16,000 plus other fans, many of whom also grew up in the 50s and 60s and 70s, plus a whole raft of much younger fans. Pre-concert energy was high and when the lights finally went out and the video screens showed old clips from 40 something years ago, the roar of the crowd began. When Art and Paul stepped into the spotlights at the end of the video clips, the place exploded.
They began with "Old Friends," the tour theme. Unfortunately, their opening notes were pretty shaky. Attacks were a bit ragged and vocal quality left something to be desired. Oh no, I thought, I hope that they haven't totally lost it. But hey! It is still Simon and Garfunklel, and for the first time I was hearing them in person.
With the next few songs, things improved. Vocal quality got much better. Attacks became cleaner. Their voices are older of course, they won't sound quite like they did back then, but they are still very good.
They did almost all of the old favorites. Some of them with a pleasant twist to the usual arrangements. The back up band was excellent, with some stunning solo performances by individual band members which you don't get on the albums. All around me, people were mouthing the words. Many of the people there knew most of the words to most of the songs. At some points, thousands would join in for some of the choruses.
The huge surprise of the evening was when Don and Phil, the Everly Brothers, came on stage and did a set of their own classic numbers while Art and Paul took a break. Folks just went wild. At the end, Paul and Art came back on stage to join them for one song together before Don and Phil left the stage.
There were lots and lots of good moments, a ton of old memories stirred up, and some very powerful musical moments. Scarborough Fair and Sounds of Silence were quiet and evocative, other songs were pulsating and driving. At the end of the concert (before the encores) the strong closing chords and vocals at the end of Bridge Over Troubled Waters were absolutely electric.
Paul and Art stood a little distance apart for most of the evening. At the end, however, something was a little different. Art reached over at one moment as Paul was turning to walk off stage, and touched him on the shoulder. In the second encore, they sat closer together, and at one point Paul put his arm around Art's shoulders. Here and there, a few folks lit their Bics. Shame that I don't carry a lighter for such moments. Something died when Paul and Art split up years ago. One can only hope some of the old hurts are healing. It was good to see them together again.
I left with several souvenirs. Memories of the evening, a "No Cameras Allowed" poster, one of the tour t-shirts they were hawking out in the parking lots, and some mostly blurry photos.
Tunes are still running through my head, and good memories of a wonderful evening. We had a great time tonight, and for a little while, Melissa and I were back in the 60s. It was a strange and troubled time, with hopes and fears and the cold war and Viet Nam, and turmoil in the streets and riots on campuses. But in some ways it was a very good time. People were very passionate about some of the right things, even if they couldn't find the best ways to express it. Paul and Art's music spoke through it all with a distinctive and evocative voice. Thanks Simon and Garfunkel. I'm glad you are back together, if only for a little while.
FALL COLOR
Upper Tahquamenon Falls, Michigan, Photo (c) Jim Doty, Jr.
There is a fall color explosion going on! Go out and enjoy it. If you like photography, grab your camera and go capture some of it.
In many places around the country, the color is at or near peak conditions. The color has already left some places like the high Rockies of northern Colorado, but it is still hanging on in SW Colorado. Some places are reporting their best color in years.
To find out what the current color conditions are for many places around the country, go to my
Fall Color Reports page. This page has links to fall color reports from all around the country. There are also links to recommended fall color drives and fall color web cams.
Although not specifically fall web cams, I also have a page of links to
Scenic Web Cams around the U.S. Some of these will reveal the current color conditions in their locale.
To get the best photos of the fall colors, you need to use the best films and filters. My suggestions are
here.
If you have a digital camera and you can adjust the saturation, turn it up a notch or two.
Go have fun!
Epson 825 Printer
The Epson Stylus Photo 825 is an excellent printer. It is essentially the same printer as the Epson 780 with the addition of a card reader so you can print photos directly from a memory card. The inks are the same.
My review of the Epson Stylus photo 780 is
here. Everything I say about the Epson 780 also applies to the Epson 825.
I am writing this because the last time I dropped in at Office Max, they were selling the Epson 825 for $100. Such a deal. True photo quality with a semi-archival print life span (ca. 25 years) in an affordable package.
The Epson 825 has a card slot and comes with two adapters that will take Compact Flash, Smart Media, Memory Stick, MultiMEdiaCard, and SecureDigital cards. Just plug in your memory card and print to your hearts content.
From the card slot (without a computer) you can print an index page (or pages) of all of the prints on your memory card. You can also print individual pictures on 4x6, 5x7, 8x10, and letter size paper. Letter paper is the largest size this printer takes.
You can set up the printer for plain, glossy, or matte paper, all without a computer. You can also change the quality setting.
You can't view the photos on the printer without an adapter, so you need to know which photo you want to print, either from an idex print or from viewing the photo number on the memory card before you remove it from your camera. Epson does sell a addo-on photo viewer as an accessory to the printer.
Of course, you can hook the Epson 825 up to you computer and use it just like any other computer-attached printer. Many digital camera files need to be tweaked in some kind of software to bring out the true quality of the original scene that is hidden in the digital camera file. For more on this, read my article on
Fixing Digital Camera Files.
As I said in my
review of the Epson 780, the photo quality of the output of this printer is excellent - true photo quality if you use Epson Enhanced Matte, Glossy, ColorLife or other photo quality papers.
If you are looking for a printer that will give you true photo quality at a reasonable price with prints that will last as long as many traditional (analog) prints, the Epson 825 is one excellent solution.
